Aire A75 is a collection of pieces exhibited during the Collectible Design Fair in Bruxelles. Inspired by the highway stops of the south of France, Aire 75 acts as a default version of a stop where the materials and dimensions of the various typologies encountered in these places have been swapped, stretched and transformed. Picnic table, icebox, trashbin and bus stop seating are the props composing this dull environment.
By the Poolside is a collection presented during the 2023 edition of Collectible Design Fair in Bruxelles. Bringing together various typologies of objects and accessories relating to the swimming pool, Heim+Viladrich has collaborated with Laurids Gallée to create a unique set of works.
The design of the pop-up for Aeyde was developed to incorporate various details from traditional Haussmannian rooftops: right angles, repeated shapes, riveted assembly, oxidized surfaces, and fragments of limestone. Fourteen podiums, arranged in two curves, create a dynamic composition that invites visitors into this 11 m² space within Le Bon Marché in Paris.
The space design of the boutique Nou arises from a contradiction: the use of durable materials in temporary presentation contexts. The installation takes place in the boutique, located in the center of Montpellier. It embodies a design approach based on the use of locally sourced materials, such as limestone fragments from a marble workshop, oak wood from a local firewood dealer, and recycled aluminum scraps from sme of our previous scenography projects. Numerous interventions punctuate the boutique space. A mirror and two presentation pedestals, as well as functional structures and objects tailored to the environment of a ready-to-wear store, including shelves, tables, stools, and clothing racks. Through a blend of finished pieces, assembly sketches, and purely functional elements, the installation visualizes the materials and ressources that can be found within the direct - less than 15km - surrounding of Montpellier.
For the 2023 edition of Alcova, Heim+Viladrich, Laurids Gallée and Forever Studio are developing together an installation on the theme ‘By The Seaside’. Gathering new and existing works, the three studios deconstruct the various elements of the European seasides and reconfigure them into an imaginary landscape. Lounge chair, cocktail table, sunscreen and beach towels are among the various objects and props composing this atypical scenery.
Vase_Nom is a research project developed as part of the “Create a Vase” Artistic Commission by the Centre National des Arts Plastiques (CNAP). The project is conceived as an exploration of manufacturing processes at the heart of several industrial sectors. It examines how industrial resources and techniques can influence the design of an object — in this case, a vase — and embody a new symbolic identity. In contrast to anonymous craftsmanship serving an artistic or cultural vision, Vase_Nom foregrounds the production process itself, along with the people, techniques, and materials involved in its creation.
By The Seaside is a collection inspired by the European seasides. Lounge chair, cocktail table, sunscreen and beach towels are among the various objects and props composing this atypical scenery.
Taking its inspiration from outdoor foldable terrace tables, Bar Table is an exploration of the industrially crafted patterns. The circular motif is here realized with an aleatory motion extending over the entire surface. This manually executed gesture ensures the uniqueness of each piece in the series.
Glissiere burnt series is inspired by both the brutalist and geometric form of urban furniture typologies. The series consists of unique benches crafted from burnt, brushed, and waxed Douglas fir. This surface treatment provides protection against moisture, enhances the natural wood grain, and the wax adds a glossy touch to the surface. The wood used comes from a local sawmill located in Le Vigan (South of France).
Pictures 1,2,3 : Marco Gambarè
Two folded sheets are symmetrically placed beneath a top plate to form a balanced structure. Each piece is hand-polished — a meticulous process that creates a vibrant, delicate surface, unmatched by industrial metal polishing. The result is a piece of furniture akin to a piece of silversmithing, subtly reflecting its surroundings.
Scenography for the Collectible Design Fair stand at the Matter and Shape fair. The 50 m² space consists of an elevated platform made of 19 mm particle board, connected with galvanized steel brackets and covered with mid-grey needle-pile carpet.
The Off Cuts stools are made from stacked fragments of oak, sourced locally in Aubrac from trees felled during road construction. Their shapes follow the natural form of the offcuts, making each piece unique. Defined by the raw texture of the material, the stools retain a characteristic roughness.
Airport halls, waiting rooms, and laundromats — the 3SB three-seater bench draws its inspiration from these liminal spaces where time feels suspended. In these peculiar places, the furniture is familiar, yet always slightly different. We hardly notice it — it’s part of a setting designed to offer the bare minimum of functionality and comfort, just enough to fade from memory in a transitory space. The 3SB is an ode to this forgettable furniture. It celebrates the absence of physical experience. It offers neither comfort nor discomfort. It is stable, not too light, yet not too heavy either. Functional, but not quite. Carved from solid 40 mm aluminum, it nonetheless provides a visual experience. Its polished surface, unusually narrow proportions, and seemingly unbalanced design are strikingly out of the ordinary. While clearly referencing standardized public benches, it is its differences that reveal the inherent "qualities" of this type of furniture.
ollowing our interest in disregarded object typologies, Document Holder draws inspiration from the ergonomic details - round handles, exaggerated radiuses - often found in traditional plastic office furniture. Made of vibrated and waxed aluminium, Document Holder is above all a sculptural piece, highlighting meticulous work on proportions and surface.
Scenography for the Curated Section of Collectible Fair, What's Your Story, 2023 in Brussels. The project was created using 32 aluminium sheets measuring 2000x1000mm - an aluminium standard. In order to optimise the repurposing of the sheets for future projects, we ensured that temporary connectors were placed at the edges of the sheets thus preventing material loss. The aluminium was left uncoated and was pre-brushed to accommodate scratch. The connectors were sourced from a nearby metal scrapyard, and the podiums were constructed using leftover materials from past productions.
Crafted from 150x300 / 120x200 construction oak beams, the Glissière benches are reminiscent of urban typologies. The series consists of unique pieces made in our workshop in South of France using locally sourced wood.
Private commission for a dining table.
Aire A75 is a collection of pieces exhibited during the Collectible Design Fair in Bruxelles. Inspired by the highway stops of the south of France, Aire 75 acts as a default version of a stop where the materials and dimensions of the various typologies encountered in these places have been swapped, stretched and transformed.
The Steam Mirror is a mirror inspired by the condensation found on a mirror in a humid room. Crafted from a sheet of stainless steel, the mirror has been carefully sanded and polished to achieve an almost perfect reflection. The mirror’s polishing was done by hand, giving the piece distinctive irregularities and roughness inherent to the nature of the material.
By the Poolside is a collection presented during the 2023 edition of Collectible Design Fair in Bruxelles. Bringing together various typologies of objects and accessories relating to the swimming pool, Heim+Viladrich has collaborated with Laurids Gallée to create a unique set of works.
Locker 23 is a reconfiguration of a changing room into a mirror wall piece.
Designed for the tenth anniversary of the Rivesaltes Camp Memorial, the exhibition Objets de Mémoires offers an immersion into a world of objects, images, testimonies, and narratives that serve as traces to follow in order to enter the history of the camp. The scenography showcases around forty fragments of the camp’s history, selected by ten volunteer citizens. All the plinths are made of 5 mm folded steel plates, assembled and oxidised. Echoing the materiality of the camp and its surroundings, the rust reflects the ravages of time. The structures evoke the ruins still present on the memorial site. In the context of a temporary exhibition, each element can be dismantled and reconfigured into a different spatial arrangement.
Exhibition curatorship: Claire Muchir Graphic design: Studio Des Signes
Maxi Tray is a social ashtray designed to highlight the conviviality of a shared moment around a cigarette. The cylinder is composed of numerous edges, each numbered to remember the placement of our cigarette. Maxi Tray is a piece crafted from a cylindrical profile of 32 cm brushed, waxed and punched aluminum.
Glissière Stools crafted from 150x300 / 150x150 construction-grade oak beams.
Open Dressing combines a mirror and a bench into a single sculptural piece. Two solid aluminum elements are linked by a third—a platform that extends the lines of both bench and mirror, creating a unified space for the two functions. The front face of the aluminum profile is polished to a mirror finish, giving the piece a striking presence that defines a distinctive zone within any interior.
Arena is a modular stage project commissioned by the HuidenClub. The project first contributes to the opening of the art center, a new cultural and artistic workspace in Rotterdam, bringing together artists, designers, and researchers to form an inclusive creative ecosystem alongside an active public program. The stage is modular and removable; the modules can be dispersed in accordance with Covid-19 regulations and are easily transportable to different locations and in various compositions. Alongside the stage furniture, the cultural center has commissioned the creation of integrated offices within the communal workspaces.
Stools in aluminium
Aire A75 is a collection of pieces exhibited during the Collectible Design Fair in Bruxelles. Inspired by the highway stops of the south of France, Aire 75 acts as a default version of a stop where the materials and dimensions of the various typologies encountered in these places have been swapped, stretched and transformed.
The glacière reimagines the traditional polypropylene icebox, carved from a solid block of limestone.
Aire A75 is a collection of pieces exhibited during the Collectible Design Fair in Bruxelles. Inspired by the highway stops of the south of France, Aire 75 acts as a default version of a stop where the materials and dimensions of the various typologies encountered in these places have been swapped, stretched and transformed.
The picnic Table made powder-coated aluminium, evokes the countless lunch breaks once spent at the heavy wooden tables found in these areas.
Aire A75 is a collection of pieces exhibited during the Collectible Design Fair in Bruxelles. Inspired by the highway stops of the south of France, Aire 75 acts as a default version of a stop where the materials and dimensions of the various typologies encountered in these places have been swapped, stretched and transformed.
The Aire A75 Ash Tray is a freestanding ashtray inspired by those found in public spaces. It is made from a 120x20 aluminum profile consisting of a grid and an inner receptacle. The piece is anodized to ensure usability both indoors and outdoors.
Aire A75 is a collection of pieces exhibited during the Collectible Design Fair in Bruxelles. Inspired by the highway stops of the south of France, Aire 75 acts as a default version of a stop where the materia
Trashbin is a wastepaper basket made from aluminum profiles, riveted, brushed, and hand-waxed with microcrystalline wax. A handle has been integrated into one side of the bin to make it easier to move.
Familiar but never quite the same, waiting rooms are both nostalgic and unsettling. The smell of old carpet, the buzzing sound of the ventilator or the flickering of the neon lights — all contribute to the uncanny atmosphere of these transitional spaces. Chairs, a table, a shelf, few magazines, perhaps a plant in a corner or a painting framed on a wall adjacent to a door, items and furniture meant to provide the minimum amount of comfort, visual and physical, just enough to never be remembered.
This atmosphere is central to Heim+Viladrich’s collection for Collectible NYC. Whether fully carved from a block of aluminum or cut from a standardized sheet of polypropylene, each piece builds on recognizable archetypes. Staying true to their refined, detail-oriented language, the designers bring a subtle emotional layer to this collection of everyday utilitarian forms.